Oh Thank you, God . . . !

Hi, Everyone! The whole editing process of my novel was a nightmare for me. I took forever to do it. For a while I felt I was stumbling around in a fog. I resubmitted it once again, and then I decided to do it one more time.

There was one scene that was really bothering me—Mohini’s death scene and also the Keshu-Mustafa scene that followed. In fact, at that point of time Mustafa had no name even! I was reduced to wringing my hands helplessly.

At that time, Christopher Manley was to come out and give me an estimate for a roof. I had been giving him the runaround for 3-4 months now, but the day of the appointment had dawned. Since my roof was in a sorry state, and he was giving a good deal for doing the roof immediately, I signed the contract.

For the next 3-4 days we were in constant contact scheduling the roof and going over other things. His customer was service was great, and here I was stuck over my scene. Well, before I knew it I had emailed to him the whole scene. Do give your suggestions, I wrote!! He must have been very taken aback, indeed.

But the very next day, I received feedback from him. That “SWOO-O-O-SH” was his idea. I loved it! He had made a couple of other observations. They were so perceptive. The scales fell from eyes, all in an instant.

Now I realized exactly what was wrong with my scene!

The scene flowed out now. Mustafa even got a name, so well did it go. This was certainly what DIs are made of!

This led almost immediately to another DI. The very next day, I had an appointment with Cameron Cunningham, my NY Life insurance agent. We had become quite friendly. Naturally, I told her all about this DI. Right away she offered to help in any way she could. But I had no more tough scenes. What I did need was someone to read the whole of my manuscript—and that fast—and give me feedback.

Immediately, Cameron said she would do it. I cautioned her that time was short, and I would really need her to read it fast. No problem, she said. And she did indeed read my manuscript in just four days.

Her feedback was so very critical! I not only utterly enjoyed her little appreciative exclamations, the little smiley faces, in the ‘comment’ bubble, but her observations were so discerning. It took me a few days to incorporate all of them, but it enriched my novel. Some of the things she suggested:

·        Putting citations/attributes re Gandhi during the Moplah riots period

·        Organizing my Author’s Notes so they would be readable

·        Highlighting the dates throughout the novel

·        She made me realize that I should clarify the Fatherland/Motherland difference re Hindustan. I was very impressed with the fact that she spotted it.

She also trimmed my vocabulary. There were a couple of words that I had been expecting to get axed at the Trafford editing level, and was relieved to find they had survived. But they didn’t make it past Cameron’s sharp eyes. With a heavy heart I removed them. They are:

·        Sangfroid; I had to change that to cool. To me it just doesn’t say the same thing. But I let it go. It was better to use a word that spoke to the reader, rather than to me.

·        I had written in the 1946 period the words “wrangling and brangling.” I really liked them. I knew that ‘brangling’ is old English, but surely (I felt) one little, little word will be okay to use? Nope! Out that went too.

So you see, how essential was Cameron’s feedback?

I really felt—feel—God was watching out over me. My cup of Dis was brimming over and yet there was more to come . . . !

Anurupa

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My author photo pains!

Hi, Everyone! Among the long list of unpleasant (to me) things I would have to do in connection with writing my novel, one was taking my author photo.

I was quite, quite aware that to become a published author, an author photo was a must. I was most determined to have it on my book cover, in fact. But that didn’t mean I was not turned into a mass of palpitating nerves when I thought about it.

I remember, the first time my name was uploaded on www.savarkar.org in connection with the translations of Savarkar’s poems in early 2010, a haze had come over my eyes. I had erroneously assumed the translations would be uploaded as anonymous. For almost two weeks I was trying to come to grips with seeing my name in public.

It was a ridiculous reaction in one aspiring to be an author! But there it is; logic and feelings are quite divorced from each other. How, I thought to myself, will I handle my author photo being publicly displayed? My mind shied away from giving answers.

I procrastinated till the very last minute to get my photo taken, which is not at all like me in general. One thing I had decided: I would go to a professional, established photographer, even if I had to pay a steep price. The photographer would have to work a little miracle for my photo, I was sure. Nancy Carbonaro was recommended to me, and with a racing heart I made the appointment.

I had very specific requirements (when do I not?) and issues that would have to be addressed while taking my photo:

·        I am not photogenic. That would certainly have to be overcome!

I have several family pictures that can—unhappily!—be described as “Monster from the Moon” or “Boiled Potato.” To have such a one for all to see would be a horror of the first order.

·        Alas! With all the good intentions I had, I had still not managed to lose weight.

·        The photo had to be natural and had to capture the essence of me.

I agonized over my jewelry (I love prominent necklaces.) I agonized over my hair. I agonized over the color of my top. In short, I agonized—over everything!

The photo shoot was an ordeal, but I was much comforted by the samples of Nancy’s photographic talents. All her photographs seemed to speak. It was as if she had captured her subjects for but a moment, any second they would move again. That’s how I want my photo, I told her (raising the difficulty level some more!)

And then I found myself posing in her studio. I felt ridiculous! I had to look here, look there; chin up, chin down; head turned here, eyes looking the other way; shoulders this way that way etc. All this I managed somewhat, but we did hit a snag at the smile!

I have never mastered the art of giving a teeny-tiny, graceful smile. Like in everything, I have to go the whole hog—with a full-toothed grin, all thirty-two teeth showing (as you can see!) I could have managed a serious expression (by thinking grim thoughts) but there was always a danger of bursting into giggles, possibly hysterical ones at finding myself modeling.

Anyway, we decided to go with the flow. Click, click, click went Nancy’s camera. Thump, thump, thump went my heart. She had allocated an hour for my session. How would I survive an hour of this? I was thinking. What if no photo looked acceptable (never mind good)?

Fifteen minutes into the session, when we were looking at the results of the last bout of clicking, I spotted the perfect photo. That’s it, I told Nancy, bag that and we are done. She felt she was not doing justice to me, with only a fifteen minute session.

But I knew it was never going to get better than that! I had never actually believed I would have a photo that I could display and look people in the eye afterwards. I was thrilled with Nancy’s work, which is why I put her name on the back cover!

It occurs to me now, that this post should really have gone in my “Divine Intervention” series.

But I so-o-o don’t want to think of my photo, that it escaped my mind. Very remiss of me!

Anurupa

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